Yes, our traditional Flavorpill end-of-year stereotyping exercise is back — we’ve collected 50 albums that keep appearing on various best-of lists around the Internet, along with the sort of people who like said albums. As ever, our obligatory disclaimer: this is a lighthearted exercise, so don’t get all pissy about it — and, yes, our stereotype is on here, and it fits perfectly. Go on, see if you can guess which one it is.

Here’s a selection of albums that I’ve heard or want to hear:

Jack White — Blunderbuss
People who didn’t think The Raconteurs were lame at all.

The Raconteurs are great! And Jack White is awesome!

Leonard Cohen &mdash Old Ideas
The elderly guy in your family that all your friends think is way cool.

Animal Collective — Centipede Hz
Bug-eyed trippers whose cognitive faculties are now starting to suffer a noticeable decline.

Godspeed You! Black Emperor — ‘Allelujah! Don’t Bend! Ascend!
Thirtysomethings who have been wearing the same thrift shop cardigan for a decade.

Tame Impala — Lonerism
The dude with shaggy long hair who stands in front of you at every concert.

David Byrne and St. Vincent — Love This Giant
Grad students who spend more time in the library than at concerts.

The xx — Coexist
Interior designers who buy one record a year.

Over at Harvard Business Review, Daniel Gulati discusses his informal study of people’s biggest regrets about their career.

He talked to professionals who ranged in age and represented a variety of different industries but five ideas came up again and again:

  1. I wish I hadn’t taken the job for the money. […]

  2. I wish I had quit earlier. […]

  3. I wish I had the confidence to start my own business. […]

  4. I wish I had used my time at school more productively. […]

  5. I wish I had acted on my career hunches. […]

Read the rest of the article for more research findings on regret.

The human fascination with color never ceases to amaze me. Our perceptual experience is filled with shapes and pitches and textures and timbres and depths and on and on, yet color seems to get the lion share of our excitement and philosophical attention. Color seems somehow more artistic than our other perceptual dimensions; it’s simply wonderful to behold, as evinced by the double rainbow guy; and we can’t resist wondering what it would be like to see dimensions of color beyond our own. In fact, RadioLab recently put out a great show on color that nicely conveys the romance we all have toward it.

The significance of the colors of things, on the other hand, is much less obvious, and so scientists and philosophers have long wondered whether inverting or otherwise warping or messing with the spectrum might not really matter. These are the “inverted spectra” thought experiments. Maybe green to you is red to me, but the difference leads to no other cognitive or behavioral differences. If colors are arbitrary labels placed over the world, then inversions and warps shouldn’t matter.

Colors can’t be inverted any more than the other dimensions of perceptual experience. Therefore, colors shouldn’t be mucked with. Not in philosophical thought experiments. And not via “color-enhancement” for everyday eyewear, like in sunglasses. After all, that’s what color-enhancement often does: Having been designed without an appreciation for the meanings found within our color experience, color-enhancement has been much like “enhancing” music by blindly fiddling with the mixer knobs.

If the thrill of color were entirely due to the mistaken intuition that colors are arbitrarily splashed onto the world, then, with that intuition dispelled (as I’ve tried to do) color’s beauty would dissipate.

But I don’t believe that the fundamental appeal of color is due to this arbitrary-splashes basis at all. Instead, it seems more likely that our love of color comes from the meaning of color, namely, that color vision for us primates is a deeply human and emotional sense. Color is evocative and aesthetic because its subject-matter concerns the most evocative states of the most important objects in our lives: other people.

That’s why we find color so captivating. It’s not because color floats above the world ungrounded, but, rather, because it is so deeply rooted in our psyche.

For as long as man has pushed a pedal, it’s a question that has challenged psychologists, neurologists and anyone who has wondered how, sometimes, riding a bike can induce what feels close to a state of meditation.

I’ve noticed this myself. Long rides, particularly away from traffic, can help clear my mind of worries and make me focus on the simple act of riding.

In 1896 at the height of the first cycling boom, a feature in the The New York Times said this about the activity: “It has the unique virtue of yielding a rate of speed as great as that of the horse, nearly as great as that attained by steam power, and yet it imposes upon the consciousness the fact that it is entirely self-propulsion.”

The writer, credited only as “ANJ”, continues: “In the nature of the motion is another unique combination. With the great speed there are the subtle glide and sway of skating, something of the yacht’s rocking, a touch of the equestrian bounce, and a suggestion of flying. The effect of all this upon the mind is as wholesomely stimulating as is the exercise to the body.”

Several studies have shown that exercises including cycling make us smarter. Danish scientists who set out to measure the benefits of breakfast and lunch among children found diet helped but that the way pupils travelled to school was far more significant. Those who cycled or walked performed better in tests than those who had travelled by car or public transport, the scientists reported last month. Another study by the University of California in Los Angeles showed that old people who were most active had 5 per cent more grey matter than those who were least active, reducing their risk of developing Alzheimer’s.

In a German study involving 115 students at a sports academy, half the group did activities such as cycling that involved complex co-ordinated movements. The rest performed simpler exercises with the same aerobic demands. Both groups did better than they had in concentration tests, but the “complex” group did a lot better.

Cycling has even been shown to change the structure of the brain. In 2003, Dr Jay Alberts, a neuroscientist at the Cleveland Clinic Lerner Research Institute in Ohio, rode a tandem bicycle across the state with a friend who has Parkinson’s to raise awareness of the disease. To the surprise of both riders, the patient showed significant improvements.

The Overview Effect and the Psychology of Cosmic Awe

Since the dawn of recorded history, humanity has been mesmerized by Earth’s place in the cosmos. Overview is a fascinating short film by Planetary Collective, written by Frank White , exploring the “overview effect” — the profound, shocking feeling that grips astronauts as they see our planet hang in space and the strange new self-awareness it precipitates. The film is based on Frank White’s 1987 book The Overview Effect: Space Exploration and Human Evolution and celebrates the 40th anniversary of NASA’s iconic Blue Marble photograph.

An interesting article explaining why we have a seven day week, and how the days got their names.

WHY does The Economist appear every seventh day? The answer is because we, like you, still regulate our lives by a septimal law that Mesopotamian star-gazers framed, and local warlords imposed, more than 40 centuries ago. Our weekdays and weekends and weeks off, our dress-down Fridays, hectic Saturday nights, Sundays sacred or profane, and Monday-morning blues all have their origin in something that happened around 2350 BC. Sargon I, King of Akkad, having conquered Ur and the other cities of Sumeria, then instituted a seven-day week, the first to be recorded.

The year, the day and (not quite so obviously) the month are natural divisions of time. The week is an oddity. The moon’s four phases are a near miss, but still a misfit, for weeks. You will be in trouble (like H.G. Wells’s “The Man Who Could Work Miracles”) if you try to make the moon perform every 28 days, instead of its usual 29½ and a bit. The Sumerians had a better reason for their septimalism. They worshipped seven gods whom they could see in the sky. Reverently, they named the days of their week for these seven heavenly bodies.

By the time the Romans had adopted the system, the planet-gods wore names more familiar to us: (in the same order) Sol, Luna, Mars, Mercurius, Jupiter, Venus, Saturnus.

In English and the other Germanic languages, Mars, Mercurius, Jupiter and Venus were, in time, renamed in honour of Teutonic gods. From Tiw, Woden, Thor and Freya came the names of our weekdays from Tuesday to Friday. Even so, the chain remained unbroken. Although English Wednesday and Scandinavian Onsdag salute the god Woden or Odin, this came about only because he was identified with Mercurius. Similarly, the love-goddess Freya took the place of Venus—and her place in the weekly sequence.

Saturnus, alone among the planet-gods, resisted Germanisation. And Saturday was “different” from other weekdays long before the two-day weekend developed. In ancient Rome it became somewhat inauspicious. Then it was, for a time, the Sabbath, both for Jews and for many early Christians. It is still Sabato in Italian, Sabado in Spanish, Sobota or Subota in the Slav languages.

Over the naming of Sunday some confusion has crept in, for which Constantine the Great is much to blame. […] it was a shrewd move, at the time. But it left the naming of the day in schism. In its Germanic versions it is now strictly the Sun’s day (Sonntag, Zonday, etc). But it is given to the Lord (Latin dominus, Greek kyrios) in Romance languages (Domingo, Domenica, dimanche) and Greek (Kyriaki), and the Celts are split, Welsh Dydd Sul confronting Gaelic De Domhnaich.

How we handle failure is more important than how we handle success.  We are all going to experience failure at some point in our lives, and our attitude about that failure is what determines whether we bounce back or fall hard.

  1. Decide you want to bounce back. […]

  2. When you fail at something, it isn’t about you. […]

  3. Still breathing? Keep at it. […]

  4. Reframe and start from where you are. […]

So, when you fail, begin from exactly where you are, look for opportunities, take a deep breath and get back in the game, knowing that you are learning valuable lessons along the way, having great new experiences and living life to the fullest! Vive la failure!

in german designer hartmut esslinger’s new book ‘design forward’, the founder of frog design overviews ‘strategic design’,
and how innovative progression has sparked creative change in the consumer market, especially for one of the most successful
american companies ever built: apple.

the official book launch happened at the opening event of an exhibition ‘german design standards – from bauhaus to globalisation’
on german design classics, during the BODW 2012 business of design week in hong kong. the exhibition has been a collaboration
between the hong kong design institute (HKDI), the neue sammlung - the international design museum munich - and the red dot
design museum
in essen, germany.

designboom met hartmut esslinger shortly before his presentation in hong kong and in that occasion we were given the first book copy.
he introduced us into the strategic planning of apple and his personal friendship with steven jobs. in this article, designboom takes a
look back at esslinger’s designs of the early 80’s, where the images document prototypes, concepts and explorations of apple’s computers,
laptops and tablets.

Short clips from 314 movies released in 2012, spliced together into a single seven minute mashup, with some cool backing music.